Journal of Humanities,Music and Dance(JHMD) ISSN: 2799-1180

Research on the Multidimensional Aspects and Societal Significance of Public Sculpture and Contemporary Art: A Special Emphasis on Assam

Aditi Deka, Dr. Binoy Paul — Sat, 01 Jun 2024 00:00:00 +0000

In public environmental art sculpture, public engagement and planned environmental transformation are more significant factors. People environmental art sculptures should engage with the people and blend in with the surroundings to make them more approachable to the general public. It is also one of the things that sculpture, as a component of environmental factors, needs to carefully examine and evaluate. In order to create a public space environment where public art sculpture, the environment, and people may all coexist, this article examines the link between sculpture and environment in public environmental art through an analysis of space environment features. Sculpture is a visual expression of a society's values and ideas and has great cultural significance. It is an essential artistic discipline that never fails to enthrall and motivate audiences everywhere. Sculpture's making process is a distinct and material kind of artistic expression. An area can become distinctive and vibrant cultural hub thanks in large part to public art. In addition to transforming our playgrounds, train stations, traffic circles, hospitals, water treatment plants, and airports into more colorful representations of human creativity, public art can also produce civic symbols. The line separating art from non-art is not stressed in the concept of contemporary art. It will never stop classifying non-art objects as works of art. There are souls and thoughts in contemporary art. Its main subjects are history, society, psychology of people, and other general subjects. Those who create contemporary art frequently possess a deep philosophical understanding. Artists constantly expressed their reflections on society through their exploration and application of body symbols. The research paper delves into the various facets and social implications of public sculpture and contemporary art, with a particular focus on Assam.

Digital Dance: Virtual Reality as a New Frontier in Performance Art

Ayush Kumar Ojha — Fri, 28 Jun 2024 00:00:00 +0000

This paper explores the transformative impact of Virtual Reality (VR) on performance art, particularly within the realm of digital dance. As a cutting-edge technology, VR has transcended traditional boundaries, offering unprecedented opportunities for innovation and expression in dance. The study delves into how VR reshapes the dancer's experience, audience engagement, and the creative process. By integrating immersive environments and interactive elements, VR not only enhances the aesthetic and sensory dimensions of dance but also redefines the spatial and temporal constraints of live performances. Dance, an inherently physical and spatial art form, gains new dimensions through VR by allowing dancers to interact with virtual environments that respond to their movements in real-time. This creates a dynamic interplay between the dancer and the digital space, enabling choreographers to craft experiences that blend physical and virtual elements seamlessly. VR technology facilitates the creation of complex visual and auditory landscapes, adding layers of meaning and emotional depth to dance performances. This research examines the technological advancements facilitating this evolution, including motion capture, 3D modeling, and real-time rendering. These technologies enable precise tracking of dancers' movements and the creation of detailed virtual avatars, enhancing the realism and interactivity of the performance. Additionally, the paper addresses the challenges and limitations inherent in merging VR with dance, such as accessibility, technical proficiency, and the preservation of the art form's emotional and humanistic aspects. The paper highlights how VR enables dancers to perform in virtual spaces, creating innovative choreographies that blend physical and digital movements. Through a multidisciplinary approach, this paper underscores VR's potential to revolutionize performance art, positioning it as a new frontier that expands the horizons of both artists and audiences alike.

Rhythmic Misinterpretations in Ghanaian Arts Music: Unveiling the Challenges of Syncopation and Anacrusis among Choir Directors

Kow Arkhurst, Richmond Amoh-Yaboah — Wed, 03 Jul 2024 00:00:00 +0000

This paper delves into the difficulties of interpreting complex rhythmic elements like syncopation and anacrusis in Ghanaian art music, particularly in choral presentations. Syncopation changes the stress on typically less prominent beats, increasing intricacy and intensifying emotional richness. Anacrusis, also known as lead-in notes, establishes the emotional atmosphere, directs the speed, and involves the listeners. Nevertheless, numerous choral conductors face difficulties with these components because of their limited grasp on rhythm, resulting in performances that are lacking in emotional impact and cultural authenticity. This paper suggests educational approaches, such as specific instruction and technology, to improve rhythmic proficiency in choir conductors. Based on a thorough review of literature, the research highlights the significance of precise rhythm in maintaining the emotional impact and cultural identity of Ghanaian art music. The paper suggests using a mix of traditional and modern methods in teaching to enhance choral directors' interpretation abilities.

Exploring the Dynamic Interplay between Religion and Culture: A Multidisciplinary Inquiry

Ifeanyi A. Chukwudebelu — Sat, 06 Jul 2024 00:00:00 +0000

This interdisciplinary study explores the symbiotic relationship between religion and culture, analyzing their dynamic interaction across diverse historical and geographical landscapes. Religion, as a non-material facet of culture, operates as a central institution characterized by rituals, beliefs, and communal practices, addressing existential questions concerning life, death, and purpose. Conversely, culture provides the contextual framework within which religious beliefs and practices develop and are expressed, reflecting the values, norms, and traditions of a particular society. Through a qualitative research framework drawing insights from anthropology, sociology, history, and religious studies, this study examines historical texts, scholarly articles, ethnographic data, and case studies to elucidate the multifaceted dimensions of the relationship between religion and culture. By integrating insights from various disciplines, this study aims to provide a nuanced understanding of the dynamic interdependence between religion and culture, offering fresh perspectives on how religion shapes cultural identity, societal norms, and individual beliefs. Furthermore, by highlighting the adaptability and resilience of cultural traditions in the face of religious influences, this study contributes to a deeper understanding of the complexities of human societies and the enduring influence of religion on cultural evolution. Through its comprehensive analysis, this study underscores the importance of studying religion and culture as intertwined phenomena that shape human experience and identity across diverse contexts.