Ichoka Mythic-Folkism Theory as Revival Strategy for Live Theatre: A Study of Kanidram

Abstract

The non-application of apposite theoretical frameworks by practitioners impacts on the outcome of stage productions, and also hinders professionalism in the creative enterprise for the revival and sustenance of live theatre practice in Nigeria. With the ascendency of postmodernism in contemporary theatre practice, there is a need to support stage productions with suitable theoretical bases. The study evaluated the application of Canice Nwosu’s Ichoka Mythic Folkism Afro-postmodern theory in the stage production of Kanidram done at the Commassie Art Theatre, Imo State University Owerri. The objective of the study was to ascertain how the director reflected the production techniques of the theory in the theatrical process. The finding revealed that Kanidram reflected essentially the major production techniques provided in the theory which impacted positively on the quality of the outcome. Finally, the study recommended that practitioners both at the academic and professional levels should adopt Afro-postmodern theories in the production process to ensure quality performances that can lead to the revival of the Nigerian theatre practice.